(This is an opinion piece. If you care about The Cigar Industry, you’ll enjoy it.)
Did someone in the cigar industry squeal on the cigar makers of some of your favorite blends? Conspiracy theorists are everywhere. So why not pump this one up and look at how remarkable or fantastical the idea could be. (Read between the lines.)
Here’s the scenario: for hundreds of years cigars have been made with tobacco leaves grown in soil and then babied as if they were ancient pieces of sculpture, one of a kind statues that took years to make, but seconds to destroy. All the cigars were made of real tobacco, nothing added, nothing reduced, nothing smeared on them to enhance the sheen, nothing that would kill the romanticism that many cigar smokers have of an industry based on love, passion and integrity.
The best way I know how to explain myself is to point out some of the greatest art forgers in history. For some, it took decades for the art world to discover that respectable museums such as New York’s MoMa and The Met exhibited fakes in its galleries. How were they discovered? What about all the fakes that are still circulating out there, taking the rightful, respectful spaces of the masters? What do we do about them?
We don’t know. But we do know that there is always a remnant of a mistake attached to every discovery. That’s how the forgeries are found out. But it’s amazing how long these fake pieces of art fooled the experts without being detected.
For example, one of the top art forger’s in history is the German “artist” Wolfgang Beltracchi. “Beltracchi’s tactics for fooling dealers? First, he stuck to lesser-known Expressionists and modern painters, like Max Ernst and Heinrich Campendonk, whose techniques hadn’t been studied as extensively. Second, he found old canvases and frames to get the period details right, sometimes paying as much as €5,000 an item. But most important, Beltracchi earnestly channeled the artists he was imitating. ‘I wanted to find the painter’s creative center and become familiar with it, so that I could see through his eyes how his paintings came about,’” he told a German newspaper.
How was he found out? “He was using a tube of paint that contained titanium dioxide white, a pigment that didn’t exist during Campendonk’s day and wasn’t mentioned on the materials list. Beltracchi was arrested in 2010 and released from a German prison (years later).“ (Vulture)
Or the famous case of the Jasper Johns forgeries. “In 1990, Jasper Johns hired Brian Ramnarine, an artisan based in Long Island City, to cast a wax mold of Johns’ famous Flag sculpture. Johns needed it to determine how much it would cost to cast the sculpture in gold. Ramnarine wouldn’t return the mold, even after he was paid.
Over the years, Ramnarine made at least two unauthorized copies of “Flag,” including one that he tried to sell to an auction house for $10 million. He gave his broker a fictitious letter, dated from 1989, stating the sculpture was a gift to him from Johns.
But in 2012, a federal grand jury indicted Ramnarine on fraud charges, and Johns himself took the stand, recounting their transactions in detail. When an attorney asked whether he’d given Ramnarine the sculpture as a gift, Johns just chuckled and said , ‘No.’” (Vulture)
In short, the forgery was seen as the real thing for many years until someone or something tipped off the dealers, the museums, or the owners. It can happen in the art world. It is allegedly happening in the cigar industry. Now I’m not talking about fake Cuban Cigars. That’s been going on for years and will continue to be a money maker for many an unscrupulous dealer. It’s easy to play off of the naivete of an excited cigar smoker just as it is to fool a motivated or greedy art dealer, or museum.
And without giving away the store, there are several simple and current alleged methods being used to this day to enhance the appearance, the flavor, and the burn of supposed natural, all tobacco cigars. I think that the FDA got tipped off and it went ballistic because it had an opportunity to destroy the evil tobacco industry, and allow big tobacco to squash the little guy once and for all. Reason? Once anything is added to a cigar removing it from its all natural form, it’s considered an additive by the FDA, and must be tested for safety by the esteemed agency, even though the agency itself over the past few years has made some outlandish and egregious decisions.
Anthony M. Amore’s book, The Art of the Con, “take(s) the reader into the investigations that led to the capture of the con men, who oftentimes return back to the world of crime. For some, it’s an irresistible urge because their innocent dupes all share something in common: they want to believe. (Amore)
So that’s where we are now – locked in a battle between truths and lies. Any lawyer will tell you that in either case it is always difficult to expose one or the other notion with absolute, total certainty.
I can’t help but think the FDA was always looking into the practices of cigar manufacturers, but didn’t have enough steam to push a law through that would grab the public, and hold the legislators accountable to espouse a negative attitude about smoking.
Obama was the catalyst for the recent surge of legislation so that the FDA could have carte blanche to begin ferreting out alleged illegal practices of cigar manufacturers under the guise of stringent and over-the-top restrictions. It was the right era. It was the proper time. Legacies were being made. Why not another bangle dangling from the President’s crown?