I just ordered the new book by fashion icon, André Leon Talley. It’s a tell-all memoir of a “poor Black boy (sic) in the segregated South . . . ” writes Nicola Shulman in the September 25th issue of “The Times Literary Supplement’s” book review of The Chiffon Trenches.
For those unfamiliar with Leon Talley, he “cast his lot in with fashion from the start. He immersed himself in fashion magazines and sucked up their details like a sponge: the clothes, the designers; the names, homes, and precepts of the New York (sic) fabulosity, and all the lovely things they owned that placed them in this class.”
The spontaneity of the purchases was what caused chills to run down my spine and I couldn’t pass up the deal. With my credit, the book cost me a paltry $2.22. I was in a blissful mood that reminded me of the cigar I smoked not too long ago by the late Augusto Reyes Jr., The Signature Lancero.
According to Cigar Encyclopedia, Reyes was “A highly-respected blender and producer of cigars in his Dominican factory, he made a name for himself by creating lines for others such as Fittipaldi, but finally came out with his own brand in 2006, in five styles called Criollo, Epicur, Grand Cru, Nativo and Maduro. His U.S. distribution deal did not pan out as he hoped and the lines briefly left the market while Reyes plotted his comeback.” He came back in 2010 at the IPCPR in New Orleans where he introduced the Signature Series.
The spontaneity of lighting up a ten-year-old cigar that is no longer in production also caused me to realize that it is this type of moment in time that allows a cigar smoker to experience a memory that will last forever.
The cigar was beyond splendid. The Dominican tobacco had aged to perfection and I think I was more surprised that such a magnificent blend was not on the market today.
The excitement and bedazzlement of discovery are what make both the publishing and the cigar industries such a draw to me (excuse the pun – pen, cigar . . . GET IT?)
Ha, ha, ha, ha, ha ,ha ha . . . . . . . . . . . . . . . . . . . . . .